Misappropriation Exhibition Opens During the Art Los Angeles Contemporary Art Fair

 

 Sarah 04.11.10, archival pigment print on paper, mounted on aluminum 48" x 48"

Artists Ray Beldner, Brendan Lott, Sonja Schenk, and Annie Seaton are pleased to announce their upcoming exhibition, Misappropriation. The pop-up show, which takes place during the Art Los Angeles Contemporary Art Fair, includes paintings, mixed media, digital prints, and small-scale installation all using and misusing found photo-based imagery. The exhibition will be on display at Studio Orange in Culver City, California from January 23-30, 2011.

Since the early collages of Pablo Picasso and Marcel Duchamp’s use of found object for his series of “ready-mades,” artists have felt free to use, reproduce, appropriate and incorporate materials found within popular culture and society. These raw materials reflect and embrace the world around us: snippets of newspapers and magazines, film and TV excerpts, snapshots, advertisements, news headlines, bits of text, characters, fragments of song, and so on. Artists used this source material just as artists have used raw material for thousands of years. 

Now with the ubiquity of computers, digital cameras and the Internet, artists have access to the world’s greatest libraries, image databases, and interactive tools at their fingertips. As a result, traditional artistic practice is changing once again as artists explore the potential of these new technologies and incorporate them into their working methodologies. For each of these artists, the Internet and digital technology play a vital role in their creative processes.

Appropriation as an artistic practice and visual strategy is not new to contemporary artists, but the case that this exhibition makes is that the Internet enables a new kind of appropriation or borrowing, a “mis-appropriation” which is the intentional—sometimes humorous, sometimes dark—misuse of someone else's material. In this case, their images or their likenesses.

Each artist in the show collages images they have taken or found on the Internet or elsewhere, and they re-purpose and re-contextualize them in a way that reflects on their origins. They are in a sense “meta-images” misappropriated for the purpose, in part, to reflect on the picture’s original purpose and meaning.

Studio Orange, January 23 to January 30, 2011

Reception: Saturday, January 29 2011, 6-9pm

Studio Orange is located at:
8526 Washington Blvd, Culver City, CA 90232  
Gallery Hours : By Appointment Only

Contact:

Annie Seaton   p: 310.621.5847   e: annie@annieseatonart.com

Ray Beldner   p: 415.297.2319   e: ray@raybeldner.com

Recent Radio Interview

Last summer I gave an interview to University of Washington's NPR station, KUOW. The show was called "The Conversation" and the host was Ross Reynolds. That day's program was about rejection so they interviewed me about the exhibition I curated at the San Jose Institute of Contemporary Art. Titled, It's Not Us, It's You, the show ran from April 3 to June 20, 2009.

It’s Not Us, It’s You was an exhibition that explored the inevitability of rejection in our lives.  Through a tragic and sometimes heartbreaking lens, the artists in the exhibition responded to the reality of rejection with subversion, self-reflection, humor and brutal honesty.

KUOW, "The Conversation," May 19, 2009

More Portraits!

From the series: Portraits 101

Each of these portraits was created from the first 101 images I found on Google when searching each subject's name. In Photoshop, I converted the individual jpegs to 1% opacity and layered them one upon the other until a kind of abstract and subtle "uber-portrait" emerged. The portraits are time-based since each Google search, done on a certain day, will always yield a unique result. The titles of the works include the date when I accessed the images that comprise each portrait.

Jesus 05.04.10, 2010

archival pigment print on paper, mounted on aluminum

48" x 48" unique work, one A/P

 

 

Adolph 06.07.10, 2010

archival pigment print on paper, mounted on aluminum

48" x 48" unique work, one A/P

 

  

 

John 05.05.10, 2010

archival pigment print on paper, mounted on aluminum

48" x 48" unique work, one A/P

Kim 05.28.10, 2010

archival pigment print on paper, mounted on aluminum

48" x 48" unique work, one A/P

Glenn 05.06.10, 2010

archival pigment print on paper, mounted on aluminum

48" x 48" unique work, one A/P

 

 

 

 

 

Kobe 05.27.10, 2010

archival pigment print on paper, mounted on aluminum

48" x 48" unique work, one A/P

 

 

 

 

 

Martin 05.07.10, 2010

archival pigment print on paper, mounted on aluminum

48" x 48" unique work, one A/P

  

 

Conan 05.21.10, 2010

archival pigment print on paper, mounted on aluminum

48" x 48" unique work, one A/P

 

 

 

 

 

Dalai 05.27.10, 2010

archival pigment print on paper, mounted on aluminum

48" x 48" unique work, one A/P

  

 

George 05.05.10, 2010

archival pigment print on paper, mounted on aluminum

48" x 48" unique work, one A/P

 

 

 

 

 

Andy 05.25.10, 2010

archival pigment print on paper, mounted on aluminum

48" x 48" unique work, one A/P

 

  

 

Mahmoud 05.07.10, 2010

archival pigment print on paper, mounted on aluminum

48" x 48" unique work, one A/P

 

 

 

 

 

Oprah 05.21.10, 2010

archival pigment print on paper, mounted on aluminum

48" x 48" unique work, one A/P

 

New Work at the San Francisco Fine Art Fair

Please come to the San Francisco Fine Art Fair and see some of my new portraits. I'll have work at Catharine Clark Gallery, Booth #68.

Opening Preview Party, Thursday, May 20, 7pm - 9pm

Regular fair hours:

Friday, May 21, noon - 8pm
Saturday, May 22, 11am - 7pm
Sunday, May 23, 11am - 6pm

For more info:
http://www.sffineartfair.com/

Benedict (drawn by the hand of a young boy) 2010

Ink on paper

40" x 30"

New Work

From the series: Portraits 101

Each of these portraits was created from the first 101 images I found on Google when searching each subject's name. In Photoshop, I converted the individual jpegs to 1% opacity and layered them one upon the other until a kind of abstract and subtle "uber-portrait" emerged. The portraits are time-based since each Google search, done on a certain day, will always yield a unique result. The titles of the works include the date when I accessed the images that comprise each portrait.

Pope 04.28.10, 2010

archival pigment print on paper, mounted on aluminum

48" x 48" unique work, one A/P

Britney 03.01.10, 2010

archival pigment print on paper, mounted on aluminum

48" x 48" unique work, one A/P

Barack 03.02.10, 2010

archival pigment print on paper, mounted on aluminum

48" x 48" unique work, one A/P

Sarah 04.11.10, 2010

archival pigment print on paper, mounted on aluminum

48" x 48" unique work, one A/P

Tiger 04.10.10, 2010
archival pigment print on paper, mounted on aluminum
48" x 48" unique work, one A/P

Michael 03.01.10, 2010
archival pigment print on paper, mounted on aluminum
48" x 48" unique work, one A/P

 Rush 04.28.10, 2010
archival pigment print on paper, mounted on aluminum
48" x 48" unique work, one A/P
 

Exhibition Review

Check out this online review by James Scarborough for the Los Angeles show, "In the Realm of the Lenses" at Stephen Cohen Gallery

 

Lecture, Sacramento

"Cash, Porn and Theft: How I Make My Art"
6pm, Thursday, March 18

 Ray Beldner, Incant, 2008, Cast plaster, paint, gold leaf, ink transfer, 16" x 32" x 54" 

Sixth Annual Festival of the Arts
California State University, Sacramento
March 17-20, 2010

Please join me!

Group Exhibition, New York

 

Ray Beldner, Hot Huge, 2004, pigment print, 48” x 45”

Catharine Clark Gallery has opened a new exhibition space in New York and they are inaugurating it with a group show called, The Drawing Room.

Coinciding with The Armory Show and PULSE New York, The Drawing Room will include works on paper by Ray Beldner, Adam Chapman, Anthony Discenza, Kara Maria, Jonathan Solo, Josephine Taylor, and Masami Teraoka. There will be additional sculptural projects by Ray Beldner, Walter Robinson and Packard Jennings.

There will also be several public and private events taking place from March 4 - 7, 2010:

Thursday, March 4
VIP: 6–10pm
Cocktail Preview

Friday, March 5
Public: 12–6pm
VIP: 8–10pm
Opening night cocktail party

Saturday, March 6
VIP Brunch: 10am–12pm
Public: 12–6pm

Sunday, March 7
Public: 10am–2pm

For more information, or to schedule an appointment outside of exhibition hours:
e: cc@cclarkgallery
p: (415) 399-1439 or (415) 519-1439.

www.cclarkgallery.com

Group Exhibition, Los Angeles

Ray Beldner, Old School, 2004, Archival pigment print on Somerset paper, 48” x 39", edition of 3 

 

This exhibition, guest curated by Tulsa Kinney and Paige Wery, Artillery Magazine's editor and publisher respectively, explores sexuality employed by artists using photography-based work. The artists listed alphabetically include: Ray Beldner, Kim Crum, Marta Edmisten, Gerald Förster, Gordon Magnin, Johnny Naked, Naida Osline, Christopher Russell, Austin Young and Carrie Yury.

"PHOTO ARTILLERY: In the Realm of the Lenses,"

Stephen Cohen Gallery

7358 Beverly Blvd.
Los Angeles, CA 90036

Runs January 15 through February 19, 2010

Lecture, Sausalito, Ca

I'm giving an artist lecture at the Industrial Center Building in Sausalito at 7pm on Wednesday, January 13, 2010. Please join me:

Industrial Center Building
480 Gate Five Road
Sausalito, CA 94965

415.331.2222
480gate5art@gmail.com

Group Exhibition, San Francisco

Seduction of Duchamp: Bay Area Artists’ Response, ArtZone 461 Gallery, San Francisco, CA, January 9 - February 7, 2009.

 Ray Beldner, "Je Me Degoute De L'Egouttoir" (I'm Sick of the Bottlerack) 2009 Gun-blued mild steel 72" x 42" 

Reception: Saturday, January 9, 5-8pm

First presented at the Slaughterhouse Space in Healdsburg, CA, curator Hanna Regev has traveled the show to the ArtZone 461 Gallery in San Francisco. The exhibition runs from January 9 through February 7, and includes over thirty artists who created new works representing their response to the influence and importance of Marcel Duchamp (1887–1968).

ArtZone will host two programs associated with the exhibition: Architects Zoë Prillinger and Luke Ogrydziak will discuss on Tuesday, January 19 at 6:30 pm, the implications of algorithmic design and probability as an Art form. The discussion will be moderated by architect Theo Armour who worked as a program manager for many releases of the leading design software AutoCad.

The second panel discussion: Unraveling the Duchamp Enigma will feature artists Richard Berger, Naomie Kremer and Jan Wurm on Sunday, January 31 at 3:00 pm.  The artists will discuss how Marcel Duchamp’s interests, preoccupations, styles and media has influenced their art practices.

ArtZone 461 Gallery
 461 Valencia Street
San Francisco, CA 94103
415.441.8680 
info@artzone461.com