Group Exhibition, New York

The Bank & Trust Show

March 18 to June 4, 2011

An Exhibition About the Economy, Trust, and Value in Today's Society 

Ray Beldner, Money Bags, 2011, sewn US currency, 16" x 14" x 12"

Opening Reception: Friday, March 18, 5:30-8pm
On View from Friday, March 18 - Saturday, June 4, 2011
Gallery Admission Free  •  Hours: Tue-Sat 12-5pm

Twenty-one contemporary artists comment on the economy, trust and value in today’s society through sculpture, drawing, photography, collage, video, installation, and performance art.  The exhibition takes place at the Arts Exchange, the historic People’s National Bank & Trust Company building in downtown White Plains, New York.

The Bank & Trust Show was conceived in part to mark the 10th Anniversary of The Arts Exchange’s adaptive re-use of a former bank into a cultural center for the residents of Westchester. It is curated by Dara Meyers-Kingsley, a former Director of Film and Video Collections at the Andy Warhol Foundation.

Participating artists include: Ray Beldner, Kim Beck, Jennifer Dalton, Chris Doyle, Joan Linder, Kambui Olujimi, Tom Otterness, Jean Shin, and Mark Wagner, among others.

The Bank & Trust Show
March 18 - June 4, 2011
31 Mamaroneck Avenue, White Plains, NY
(914) 428-4220 x 330
www.artswestchester.org
boxoffice@artswestchester.org

Portraits of George Washington at the De Young Museum

Ray Beldner, E Pluribus Unum (after Rembrandt Peale, George Washington, ca. 1854), 2005, Sewn US currency

 From the De Young Museum blog:

"Next Monday, the United States will celebrate Presidents’ Day, which takes place every year on the third Monday of February. This federal holiday is intended to honor all American presidents, and especially George Washington (1732–1799).

On that occasion the De Young Museum is highlighting three portraits of the first president of the United States from their collection. The first is Rembrandt Peale’s George Washington was painted around 1850, more than 25 years after his most well-known masterpiece: Washington, the Patriae Pater.

Peale’s standardized image of Washington went on to inspire generations of artists to create their own portraits of the United States’ first president. Peale himself was inspired by Gilbert Stuart’s portrait of Washington (1795), which later served as the model for the portrait on the US one dollar bill. The mass-production of this bill has led to a more familiar and materialistic vision of the first president.

Ray Beldner, a native San Francisco artist, pointed out this duality—Washington as a symbol of American democracy and as a unit of national currency—in his piece named for the US national motto, E Pluribus Unum. Beldner created a facsimile of Rembrandt Peale’s portrait of George Washington (1854) by arranging 250 one dollar-bills. Therefore, he used bills, which are copies of Stuart’s portrait, in order to reproduce Peale’s copy of the same original. He kept in mind that copies make an original important. Thereby, the artist employed a common object from our daily life to refocus attention on a patriotic symbol."

For more information:

http://deyoung.famsf.org/blog/portraits-george-washington-presidents-day

Misappropriation Exhibition Opens During the Art Los Angeles Contemporary Art Fair

 

 Sarah 04.11.10, archival pigment print on paper, mounted on aluminum 48" x 48"

Artists Ray Beldner, Brendan Lott, Sonja Schenk, and Annie Seaton are pleased to announce their upcoming exhibition, Misappropriation. The pop-up show, which takes place during the Art Los Angeles Contemporary Art Fair, includes paintings, mixed media, digital prints, and small-scale installation all using and misusing found photo-based imagery. The exhibition will be on display at Studio Orange in Culver City, California from January 23-30, 2011.

Since the early collages of Pablo Picasso and Marcel Duchamp’s use of found object for his series of “ready-mades,” artists have felt free to use, reproduce, appropriate and incorporate materials found within popular culture and society. These raw materials reflect and embrace the world around us: snippets of newspapers and magazines, film and TV excerpts, snapshots, advertisements, news headlines, bits of text, characters, fragments of song, and so on. Artists used this source material just as artists have used raw material for thousands of years. 

Now with the ubiquity of computers, digital cameras and the Internet, artists have access to the world’s greatest libraries, image databases, and interactive tools at their fingertips. As a result, traditional artistic practice is changing once again as artists explore the potential of these new technologies and incorporate them into their working methodologies. For each of these artists, the Internet and digital technology play a vital role in their creative processes.

Appropriation as an artistic practice and visual strategy is not new to contemporary artists, but the case that this exhibition makes is that the Internet enables a new kind of appropriation or borrowing, a “mis-appropriation” which is the intentional—sometimes humorous, sometimes dark—misuse of someone else's material. In this case, their images or their likenesses.

Each artist in the show collages images they have taken or found on the Internet or elsewhere, and they re-purpose and re-contextualize them in a way that reflects on their origins. They are in a sense “meta-images” misappropriated for the purpose, in part, to reflect on the picture’s original purpose and meaning.

Studio Orange, January 23 to January 30, 2011

Reception: Saturday, January 29 2011, 6-9pm

Studio Orange is located at:
8526 Washington Blvd, Culver City, CA 90232  
Gallery Hours : By Appointment Only

Contact:

Annie Seaton   p: 310.621.5847   e: annie@annieseatonart.com

Ray Beldner   p: 415.297.2319   e: ray@raybeldner.com