Showing posts with label portraits. Show all posts
Showing posts with label portraits. Show all posts

Saturday, February 19, 2011

Portraits of George Washington at the De Young Museum

Ray Beldner, E Pluribus Unum (after Rembrandt Peale, George Washington, ca. 1854), 2005, Sewn US currency

 From the De Young Museum blog:

"Next Monday, the United States will celebrate Presidents’ Day, which takes place every year on the third Monday of February. This federal holiday is intended to honor all American presidents, and especially George Washington (1732–1799).

On that occasion the De Young Museum is highlighting three portraits of the first president of the United States from their collection. The first is Rembrandt Peale’s George Washington was painted around 1850, more than 25 years after his most well-known masterpiece: Washington, the Patriae Pater.

Peale’s standardized image of Washington went on to inspire generations of artists to create their own portraits of the United States’ first president. Peale himself was inspired by Gilbert Stuart’s portrait of Washington (1795), which later served as the model for the portrait on the US one dollar bill. The mass-production of this bill has led to a more familiar and materialistic vision of the first president.

Ray Beldner, a native San Francisco artist, pointed out this duality—Washington as a symbol of American democracy and as a unit of national currency—in his piece named for the US national motto, E Pluribus Unum. Beldner created a facsimile of Rembrandt Peale’s portrait of George Washington (1854) by arranging 250 one dollar-bills. Therefore, he used bills, which are copies of Stuart’s portrait, in order to reproduce Peale’s copy of the same original. He kept in mind that copies make an original important. Thereby, the artist employed a common object from our daily life to refocus attention on a patriotic symbol."

For more information:

http://deyoung.famsf.org/blog/portraits-george-washington-presidents-day




Thursday, May 13, 2010

New Work at the San Francisco Fine Art Fair

Please come to the San Francisco Fine Art Fair and see some of my new portraits. I'll have work at Catharine Clark Gallery, Booth #68.

Opening Preview Party, Thursday, May 20, 7pm - 9pm

Regular fair hours:

Friday, May 21, noon - 8pm
Saturday, May 22, 11am - 7pm
Sunday, May 23, 11am - 6pm

For more info:
http://www.sffineartfair.com/


Benedict (drawn by the hand of a young boy) 2010
Ink on paper
40" x 30"

Tuesday, April 27, 2010

New Work

From the series: Portraits 101

Each of these portraits was created from the first 101 images I found on Google when searching each subject's name. In Photoshop, I converted the individual jpegs to 1% opacity and layered them one upon the other until a kind of abstract and subtle "uber-portrait" emerged. The portraits are time-based since each Google search, done on a certain day, will always yield a unique result. The titles of the works include the date when I accessed the images that comprise each portrait.


Pope 04.28.10, 2010
archival pigment print on paper, mounted on aluminum
48" x 48" unique work, one A/P


Britney 03.01.10, 2010
archival pigment print on paper, mounted on aluminum
48" x 48" unique work, one A/P


Barack 03.02.10, 2010
archival pigment print on paper, mounted on aluminum
48" x 48" unique work, one A/P


Sarah 04.11.10, 2010
archival pigment print on paper, mounted on aluminum
48" x 48" unique work, one A/P


Tiger 04.10.10, 2010
archival pigment print on paper, mounted on aluminum
48" x 48" unique work, one A/P



Michael 03.01.10, 2010
archival pigment print on paper, mounted on aluminum
48" x 48" unique work, one A/P



 Rush 04.28.10, 2010
archival pigment print on paper, mounted on aluminum
48" x 48" unique work, one A/P

 

Thursday, November 12, 2009

New Drawings!


"Drawn By The Hand Of"

Each of these drawings was made without brush or pen. Using rubber gloves I made from the casts of other people's hands, I dip the fingers of my gloved hand in ink and apply it directly to the paper to create the images. For certain images, I use my own ungloved hand. Each glove, with its unique shape and fingerprints, is conceptually related to the image it has created: e.g., Michael Jackson drawn by the hand of a young boy, Philip Garrido drawn by the hand of a young girl, etc.  It is also a way to to physically embody someone familiar to me and experience the touch of their hand from the inside.


Drawing glove cast from the hand of a young boy, my son Max.

 
Putting the glove on.

 


 
Drawing.

 

 
Pile of used drawing gloves.


The result of drawing without a glove.